La vie moderne à Shanghai

The Power Station of Art and the Fondation Cartier brought together around a hundred photographs for Raymond Depardon’s first solo exhibition in China. The family farm at Le Garet, the farmers he returned to photograph over the years and the roads between their homes gave the exhibition its geography.
Adrien Gardère designed the installation as a landscape visitors could cross in different directions. Low walls carried the pictures across the open hall. The arrangement drew together La Ferme du Garet, La Terre des paysans, Rural and La France, letting visitors move between family history and the changing terrain beyond the farm.
Inside the Power Station of Art






La Ferme du Garet
In 1984 Raymond Depardon photographed the rooms and outbuildings of his family farm. These five colour prints were among the works sent to Shanghai.





La Terre des paysans
The Shanghai archive brings together work from several books. These photographs come from the files for La Terre des paysans.


La France
The exhibition also included photographs made on the road in France. Raymond Depardon set up his large-format camera opposite schoolhouses, shop windows and houses on the edge of town.





